Months of testing confirm earlier suspicions that the fragments were made in modern times. What happens next?

The Museum of the Bible houses 16 purported Dead Sea Scroll fragments, including this piece of the Book of Genesis. A new scientific investigation funded by the Museum of the Bible has confirmed that all 16 fragments are modern forgeries.

By Michael Greshko

PUBLISHED March 13, 2020

Washington, D.C.On the fourth floor of the Museum of the Bible, a sweeping permanent exhibit tells the story of how the ancient scripture became the world’s most popular book. A warmly lit sanctum at the exhibit’s heart reveals some of the museum’s most prized possessions: fragments of the Dead Sea Scrolls, ancient texts that include the oldest known surviving copies of the Hebrew Bible.

But now, the Washington, D.C. museum has confirmed a bitter truth about the fragments’ authenticity. On Friday, independent researchers funded by the Museum of the Bible announced that all 16 of the museum’s Dead Sea Scroll fragments are modern forgeries that duped outside collectors, the museum’s founder, and some of the world’s leading biblical scholars. Officials unveiled the findings at an academic conference hosted by the museum.

“The Museum of the Bible is trying to be as transparent as possible,” says CEO Harry Hargrave. “We’re victims—we’re victims of misrepresentation, we’re victims of fraud.”

In a report spanning more than 200 pages, a team of researchers led by art fraud investigator Colette Loll found that while the pieces are probably made of ancient leather, they were inked in modern times and modified to resemble real Dead Sea Scrolls. “These fragments were manipulated with the intent to deceive,” Loll says.

The new findings don’t cast doubt on the 100,000 real Dead Sea Scroll fragments, most of which lie in the Shrine of the Book, part of the Israel Museum, Jerusalem. However, the report’s findings raise grave questions about the “post-2002” Dead Sea Scroll fragments, a group of some 70 snippets of biblical text that entered the antiquities market in the 2000s. Even before the new report, some scholars believed that most to all of the post-2002 fragments were modern fakes.

“Once one or two of the fragments were fake, you know all of them probably are, because they come from the same sources, and they look basically the same,” says Årstein Justnes, a researcher at Norway’s University of Agder whose Lying Pen of Scribes project tracks the post-2002 fragments.
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