theguardian: by Peter Walker and Susan Schulman —
Shepperd said his involvement changed his view about the religion’s take on several subjects, for example the position of women.
He said: “If you look at the popular misconceptions about Islam, that isn’t the case at all. It’s great to be working on a show that explores those kinds of things.”
It was quite a challenge, even for the crack team of theatrical experts summoned from around the world: less than six months to produce a hi-tech musical extravaganza about one of the most renowned figures in human history. Oh yes, and the title character can’t appear on stage.
But somehow it happened and on Sunday night a lavish production about the life and teachings of Muhammad, Islam’s main prophet, intended as a rejoinder to more militant interpretations of the faith, premiered at a specially built £20m mock-Roman amphitheatre in Sharjah, the small emirate adjoining Dubai.
The show had to be assembled in months by an international team that includes Piers Shepperd, technical director of the 2012 Olympic opening and closing ceremonies, and the man who made Danny Boyle’s creative ideas happen on stage. Now he has done the same for a show whose scope is roughly equivalent to Islam: the Opera. The 90-minute production, Clusters of Light, has the ambitious stated intent of rebranding the religion internationally.
The story is told with a cast of about 200, including some of the Arab world’s most celebrated singers, such as Mohammed Assaf, the Palestinian winner of Arab Idol, and the Tunisian tenor Lotfi Bouchnak, with spectacular animated scenes projected around them.